 |
Doug
still rendered many story boards the traditional way, with pantone
and magic markers, colored pencil and airbrush. Some sessions were
so intense that six or more artists would start on a project for
a major pitch, and work without rest for over two days straight.
On The Molson Ice and M&M's pitches for Young & Rubicam,
Doug worked four days without sleep, eating at the drawing board.
Y&R
got both accounts, and Doug got a wee bonus.
In
fact, of the nine accounts pitched for using Doug's artwork, only
one was not successful, which was JWT's attempt to retain the troubled
Bell Atlantic account. JWT were so impressed, however with Doug's
work, that they brought him in again as the lead artist on their
pitch for the Sprint account, which they won.
Doug
and the Studio Design team subsequently worked on every major TV
campaign for Y&R, JWT, Amarati, Puris and Bozell.
|